Swimsuit Issue Covers

Book Review

  1. Davis, Laurel R. (1997) The Swimsuit Issue and Sport : Hegemonic Masculinity in Sports Illustrated.  Albany , NY :  State University of New York Press.
  2. Subject of book

In the first chapter of the book, Davis poses the central problem in her study: What does the swimsuit issue mean, and why is it so furiously debated?  In addition she explains her qualitative methods: textual analysis and interviews with some of the producers and consumers (that is readers) of the magazine.  At the end of the chapter, Davis introduces her main argument: that the cultural significance of the swimsuit issue lies in its celebration of hegemonic masculinity, a form of masculinity increasingly threatened by recent changes in American social institutions.  

Chapter two is a historical sketch of the swimsuit issue, its evolution over the last three decades, changing from a travel and fashion feature that only hinted at the models sexuality in the 1960’s to a more explicit representation of sexual meaning (“pin-up material”) in later years.

Davis, in chapter 3, describes how the consumers interpret the words and photos of the swimsuit issue and identifies the readers at whom the magazine is aimed (the “ideal readers”).  Here Davis discusses how the elements of the texts, production, consumption, and the wider societal context all work together to produce a basic agreement over the content of the swimsuit issue; women’s bodies, femininity, ideal beauty and (hetero) sexuality; and the ideal readers; men.  Davis argues compellingly against the current theoretical trend in which media analysts grant almost unlimited power to readers to interpret texts.  She points out that producers and texts have significant influence over consumers and that there are limits to the possible interpretations which may be constructed by consumers.

Chapter four is an articulation of the strands of the debate over the sexual and gendered meanings of the swimsuit issue.  Almost all consumers see sex and sensuality as themes in the swimsuit issue; what differs among consumers is the extent to which they see the photographs as portraying sexuality and the degree to which they approve, tolerate or disapprove of the issue.  This chapter exemplifies Davis ’ skill in demonstrating how the various features of the medium work together to produce a coherent set of meanings.  Here the author discusses the features of the photographs that signify sexuality, the features of the production that shape the sexual meanings of the text, as well as the cultural genre of pin-up photos / soft pornography, and consumers reaction to sexual content in the swimsuit photos.  

The preceding four chapters lay the groundwork for the crucial fifth chapter where Davis answers the perplexing question of how Sports Illustrated persuades the public that photos of bikini babes have something to do with sports.  With great acuity, Davis shows precisely how the swimsuit issue is a logical outgrowth of the ideology embodied in Sports Illustrated, and therein lays the foundation for her contention that the swimsuit issue is about heterosexuality.  

With Chapter six Davis builds on the previous insights by connecting the heterosexual meanings of the swimsuit issue to the cultural conditions that produced the masculinity crisis.  Davis situates Sports Illustrated and the swimsuit issue in the context of changing gender relations; she argues that feminist challenges to men’s superior position in the social hierarchy have produced hegemonic forms of masculinity.  One of the defining characteristics of hegemonic masculinity is heterosexuality.  Thus, for men, buying and reading the swimsuit issue is a way of reaffirming their heterosexuality (and symbolically resisting potential losses of power).  Sports Illustrated in general reinforces hegemonic masculinity by implicitly defining Sport (with a capital “S”) as men’s physical activities, devoting most of its coverage to the most masculine of sports, football and basketball, providing only token coverage of female athletes, and so on.  Davis points out that the producers of Sports Illustrated are most likely motivated not by any insidious desire to undermine women’s status in society, but the pursuit of profit.  The swimsuit issue consistently outsells (by a factor of 10) all other issues.

Chapters seven, eight and nine are examinations of how the swimsuit issue’s representations of gender (seven), race (eight), and inhabitants of post colonized countries (nine) all serve the interests of hegemonic masculinity.  In each case, such representations symbolically reaffirm the superiority of hegemonic masculinity. 

In the concluding chapter, Davis reiterates the power of media texts to shape consumer’s interpretations and indirectly influence their actions.  She calls for more critical analysis of media texts, but argues that we must go beyond critique by bringing our power to bear on the producers of tests like the swimsuit issue.  Davis points out that critiques of media texts may be powerful instruments of social change, since readers can materially affect the production of cultural texts by refusing to purchase them.  The problem with the swimsuit issue is that at the same time it serves hegemonic masculinity, it symbolically stereotypes women, people of color and people from post colonized countries.  

There are contradictions in the book thus it is unclear whether hegemonic masculinity is intended as a term that participants use, or Davis’ own analytic concept (or both).  Sometimes she conflates the two levels implying that hegemonic masculinity is a concept that producers actually have a prior awareness and understanding of, and that they work towards this goal.  This we are told that ‘Sports Illustrated producers attempt to increase their profit by fashioning Sports Illustrated to be a magazine about hegemonic masculinity rather than a sports magazine’ (p.117).  Such statements clash awkwardly elsewhere with assertions that “I do not think that Sports Illustrated producers consciously pursue content that reflects the theme of hegemonic masculinity’ (p.61), and that ‘most consumers do not explicitly link the swimsuit issue to masculinity’ (p.54).  

In the 1960’s, men began to feel threatened by women demanding equality.  It was during this period of a widespread masculinity crisis in U.S. culture that Sports Illustrated exploited men’s anxiety level by increasing coverage of hard sports, mostly at the professional level (football, basketball and boxing) as opposed to soft sports (tennis, golf and swimming).  This shift, Davis contends, constituted a celebration of traditional ideals of masculinity rooted in physical strength, aggression, violence and competitiveness.  Sports Illustrated overwhelmingly white middle class male readership found this version of masculinity tremendously appealing.  In 1964 Sports Illustrated began to publish and market the annual swimsuit issue, which, Davis argues, has served as a more socially respectable substitute for pornography for middle class boys and men.  Like pornography, the swimsuit issue is often used by men and boys as a means of announcing to others their approval of, and interest in, the sexist images of women contained therein, thus allowing them to fulfill  two important mandates of ‘hegemonic masculinity,’; heterosexual orientation and domination over women.  Women, as a rule, are not represented as athletes in the pages of Sports Illustrated, they are depicted as objects of heterosexual desire.  

Like the military or interpersonal violence, “sports” is a masculine preserve where men can symbolically exercise power and domination.   Sport holds out the prospect of intimate, touching, homosocial, and indeed homosexual relations between men.  Given this homosocial nature of sports, one of the few arenas where men are permitted to touch each other and to admire male bodies, the swimsuit issue of Sports Illustrated especially exists to reinforce heterosexuality and hegemonic masculinity.  

What is the purpose of the swimsuit issue as a vehicle in American society?  Davis suggests that the issue provides opportunities for men to assert their masculinity and to reassure themselves of their dominance.   

The book essentially examines the issues of power.  Davis demonstrates how masculine views of gender, race, ethnicity, sexual orientation and nationalism inflect the Sports Illustrated swimsuit issue, and how these dominant relations intersect to produce the audience to which the issue is aimed; white, affluent heterosexual males of Euro-American descent.   The issue represents and perpetuates, not only sexism, but also heterosexism, racism and ethnocentrism.  Constructions of hegemonic masculinity are made on the backs of, first, people of color (through the perpetuation of the white, blonde, "ideal" woman), and, then the symbolic dominance of the feminized post colonized other, often as exotic backdrops to adventures, fantasies, and tests of manhood.  

More interested in exploring the social meanings of the swimsuit issue, why it is so popular with some people and so unpopular with others, Davis moves in two directions.  First, Davis looks at how texts, producers, and consumers themselves interact to create textual meaning. Findings from a triangulated research design involving face-to-face and telephone interviews (with producers, consumers, models, and others), as well as archival and content analysis, suggest that the sense making of the swimsuit issue is an essentially collaborative project. Second, acknowledging that social inequality involves far more than sexism alone, Davis demonstrates the explanatory potential of a feminist approach sensitive to multiple systems of domination. To this end, numerous examples are used throughout the book to show how issues related to race, ethnicity, sexual orientation, and nationalism are inscribed in what ostensibly seems like just another sports magazine, and how Sports Illustrated has earned huge profits at the expense of not only women, but also gays, people of color, and people living in what Davis calls the (post)colonized world.  

Where Sports Illustrated is concerned, we also learn that in addition to the flagrant (although predictably denied) use of female sexuality to sell copy, attract advertising dollars, and secure a largely male audience, the magazine has over the years adopted numerous proactive and reactive strategies to maximize profit. These strategies include hiring models who are perceived to symbolize a particular brand of "femininity," or what producers and models describe as "wholesomeness" and the "girl-next-door" look (p. 35)--a claim made all the more absurd by the fact that the pictures are routinely touched up to remove any unwanted fat, hair, wrinkles, and so on. The strategies also include fanning the flames between supporters and critics of the issue by publishing their often aggressively articulated letters side by side on the editorial pages.  

Everyone has different opinions on the swimsuit issue, and Sports Illustrated itself seems to encourage these varying points of views, perhaps in and of themselves a form of publicity.  Most of the producers and consumers interviewed agree that the display of women’s bodies and representations of (hetero) sexuality have been central themes in the swimsuit issue since its inception, but there the consensus ends.  Even feminists split themselves along ideological lines.  Liberal heterosexual feminists ask only that Sports Illustrated give them some images of male models in swimsuits, while more radical feminists call upon the magazine to stop engaging in the sexual objectification of women that they see as inherently oppressive.   I tend to agree with Davis in her assertion that ‘although representations of sexuality are not inherently immoral or shameful, Sports Illustrated offers a version of sexuality that is rooted in sexist assumptions’ (p.46). 

For some time now, researchers have highlighted the differential treatment of male and female athletes in the sports media, both in terms of the amount of coverage each receives, and with respect to the nature of the coverage itself. Many of these studies conclude that the sports media play a central role in constructing and perpetuating gender inequality, and maintaining an ideology of dichotomous sex differences. For example, broadcasters often refer to women as ‘ladies’, which portrays them as delicate, or ‘girls’ which infantilizes them. Men, on the other hand, are hardly ever referred to as gentlemen’ or ‘boys’.  Sport itself polices the limits of appropriate masculinity and femininity, which is officially legitimated with the sex-testing of Olympic athletes and the division of sport into men’s and women’s events. Women who subvert gender norms in and through sport – by developing and displaying an athletic, muscular body – are often ridiculed as not ‘proper’ women, and labeled as ‘butch’ or ‘dykes’. Any analysis of how gender inequalities are displayed, justified and legitimated in sports texts, then, is of central importance, not only to the sociology of sport, but also to feminist debates around essentialist and constructionist theories of sex and gender. The Swimsuit Issue and Sport offers an examination of the discursive textual construction of the gender order in and through sport, and thus represents an important contribution to this body of literature.

Looking more broadly; to be a Hegemon, a “state” must have three attributes:  

Applying this to masculinity and gender relations, both in the past and currently, men have certainly had all three attributes.   

The concept of hegemonic masculinity was created to replace the concept of  man’s role. There are masculinities which are subordinate to the hegemony of some men, such as young and gay men. The concept allows us to see masculinity as a structure of social relationships, not a static role. Hegemonic masculinity is maintained with social norms and structures. Heterosexism is one of the essential parts of  hegemonic masculinity. Hegemonic masculinity is a cultural construction, and it is largely constructed in the public.  One is left wondering after reading this book whether there will always be a hegemonic form of masculinity even if society reaches a situation of more equitable gender relations.   

It does not require a complete demolition of hegemonic masculinity to democratize gender relations. The many forms of patriarchal ideology point to many ways of contesting it--in sexual life, in mass media, in the workplace, in formal politics, in conversation, in raising children. If conventional gender is an "accomplishment"--something made by the way we conduct ourselves, then we can certainly accomplish something better.  

Under our current social arrangements women are, as a group, massively disadvantaged; and men as moral and political agents ought to be involved in changing that.  In the long run, the democratization of gender will require profound social change, and the dismantling of conventional masculinities. Many of the conventions of hegemonic masculinity such as restraining one's emotions and always trying to dominate in a conflict are outrageously inappropriate in the care of young children. We can recognize this, without expecting most men to swallow the dose in one gulp. The alliance politics that has begun to emerge in some settings has the possibility of making worthwhile gains in the short run, while building up the experience and imagination needed for the dangerous moves that finally have to be made.  

However, given that patriarchy (and hegemonic views of masculinity) is a historical structure, not a timeless dichotomy of men abusing women, it will be ended by a historical process. The strategic problem is to generate pressures that will culminate in the long run in a transformation of the structure.  Will the swimsuit issue go away?  Not until society itself goes through some basic changes, and I doubt that I will see those changes in my lifetime.  

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